February 2nd, 2008
3) No Great Mischief, by Alistair MacLeod
A rather beautiful novel about the experiences of generations of a Highland family settled in Nova Scotia, with excursions to Scotland and various other parts of Canada; interlocking tales of tragedy and loyalty, against the backdrop of global conflicts, both recent and long past. (I had not realised that Wolfe was a commander both at Culloden and Quebec.) MacLeod's style feels somehow more Scottish (eg Iain Banks) than Canadian (eg Robertson Davies). I read it very quickly, but enjoyed it a lot.
A rather beautiful novel about the experiences of generations of a Highland family settled in Nova Scotia, with excursions to Scotland and various other parts of Canada; interlocking tales of tragedy and loyalty, against the backdrop of global conflicts, both recent and long past. (I had not realised that Wolfe was a commander both at Culloden and Quebec.) MacLeod's style feels somehow more Scottish (eg Iain Banks) than Canadian (eg Robertson Davies). I read it very quickly, but enjoyed it a lot.
As mentioned a few weeks back, Iain Banks gave a lunchtime talk in Brussels on Tuesday, in Scotland House which is the top two floors of the building where my own office is located. (The building also houses the Brussels representations of Norway, just below Scotland; Sweden, occupying the three lowest floors; and Gibraltar, around the corner from my office; and of course I myself have certain quasi-diplomatic duties too.) The Scots put on a decent spread of standard Brussels sandwiches; I was pleased to see both
guidoeekhaut and quarsan there as a result of my publicising it. Both of them have already written the event up on their respective blogs.
The actual lecture room was filled up, with a dozen people left standing at the back after the 150 or so seats were taken; we were welcomed formally by the jolly Linda Fabiani, Scotland's Minister for Europe and Culture, and then Iain Banks immediately began by standing up and dominating the entire room, leaving the unfortunate Scottish attaché for fisheries and agriculture (nominally chairing the meeting) cowering in his seat and attempting to interject the occasional question.
( Read more... )
Anyway, great fun; I was feeling pretty grotty, but the event lifted my spirits for the rest of the day.
The actual lecture room was filled up, with a dozen people left standing at the back after the 150 or so seats were taken; we were welcomed formally by the jolly Linda Fabiani, Scotland's Minister for Europe and Culture, and then Iain Banks immediately began by standing up and dominating the entire room, leaving the unfortunate Scottish attaché for fisheries and agriculture (nominally chairing the meeting) cowering in his seat and attempting to interject the occasional question.
( Read more... )
Anyway, great fun; I was feeling pretty grotty, but the event lifted my spirits for the rest of the day.
Actually I've listened to five since my last big write-up but already did The Harvest here.
( The Axis of Insanity: Five, Peri and Erimem in interdimensional confusion )
( Arrangements for War: Six and Evelyn and a Romeo-and-Juliet situation )
( The Roof of the World: Five, Peri and Erimem play cricket in Tibet )
( Medicinal Purposes: Six and Evelyn go body-snatching )
I'm coming to realise that the Big Finish audios are a bit hit and miss; but then, so was the classic series, and so is the new version too. Sturgeon's Law, I suppose.
( The Axis of Insanity: Five, Peri and Erimem in interdimensional confusion )
( Arrangements for War: Six and Evelyn and a Romeo-and-Juliet situation )
( The Roof of the World: Five, Peri and Erimem play cricket in Tibet )
( Medicinal Purposes: Six and Evelyn go body-snatching )
I'm coming to realise that the Big Finish audios are a bit hit and miss; but then, so was the classic series, and so is the new version too. Sturgeon's Law, I suppose.
This is just a brilliant sequence of audio plays - apparently now available with the set of BBC Davros DVDs, which does make that sound like an even more attractive purchase, and comes close to conferring the stamp of accepted canonicity on the stories. Davros is, of course, perhaps the only character for whom you could develop a detailed back-story like this; the Master is too closely linked with the Gallifrey mythology, and there are not really any other villains of serious depth (some might come close - I have a high regard for Mavic Chen, myself.) This could have turned into the most awful fanwank, but in fact we have a tight, taut set of plays depicting the rise of Davros through the ranks of the Kaled leadership on Skaro against the background of the "Forever War" against the Thals. Terry Molloy reprises the title role (apart from most of the first play), and in the last play we get Peter Miles as Nyder.
( Innocence )
( Purity )
( Corruption )
( Guilt )
In summary, a brilliant set of four plays, which I suspect would stand on their own as dramas even for a non-Who fan.
( Innocence )
( Purity )
( Corruption )
( Guilt )
In summary, a brilliant set of four plays, which I suspect would stand on their own as dramas even for a non-Who fan.
Sorry for much Who posting today, but this one brings me up to date with three stories from the Tom Baker era, indeed from two different parts of Graham Williams' term as producer: his first two stories from 1977, and his second last from 1980.
( Horror of Fang Rock )
( reflections on Leela )
( The Invisible Enemy )
( Nightmare of Eden )
So, one and three quarter excellent stories, the rest not so good.
( Horror of Fang Rock )
( reflections on Leela )
( The Invisible Enemy )
( Nightmare of Eden )
So, one and three quarter excellent stories, the rest not so good.